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Mogwai (2011) Hardcore Will Never Die, But You Will

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(click here for the CD released through extra)

If during these days we have launched all kinds of Alavan the German Long Distance Calling and we literally melted the last of the Explosions In The Sky today it's once again rise Olympus of Gods of post - rock with which are probably one of the originators of this whole side instrumental rock that unfettered has given us so much joy over the years and that today is a style that only a few are able to make the most, and of course the Scots (corrected) Mogwai can be counted among those selected honors.

The album came out some time ago and I guess I wanted to hear it has done over and over again, and those who have not yet know that noses waiting to grab one of the best albums of post-rock that go down during the year, so I will just say that after the clubs who took his earlier The Hawk Is Howling , which still do not understand, have decided to give it a spin 90 degrees to his music, in the wake of sharply melodic they abused in the previous round have added a hard rock groove very successful for the chance that a few drops mixed with synthesized sound and a timid voice ripples have managed to regain some of that magic that some facts missing from their recent albums.

Essential done with vinyl edició in if possible and only with the special edition cd failing. A presentation luxury for a record lujazo also comes with a cd / vinyl extra where we would get a hit song 23 minutes during which the Mogwai exploit all its qualities to shape an alleged gang soundtrack of a film, a unique experience.

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Sylosis (2011) Edge Of The Earth

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After leaving us one of the most interesting debuts of the genre in years English Sylosis the load again his second album Edge Of The Earth to demonstrate that theirs is no joke and that if I were now crowned as the true innovators of a style so indiscriminately cloned so much get all the juice and let it dry for years now, we're talking about melodic death metal trilladísimo . While being all we should be fair to say that there pigeonhole these virtuosos in one prácticamnete style is impossible because of the stylistic richness and breadth of vision imposed by the band throughout the disc.

overcome the pitfall of losing their lead singer and as they say grown in adversity the multi-instrumentalist of the band Josh Middleton has been the winner to meet the vocal duties with a very impressive and amply higher than its predecessor. In musical terms the Sylosis have decided to completely nullify their influences metalcoreras and have followed the right path of extreme metal in its most artistic and technical skills far outweigh also getting on the plane to their devastating debut musical.

pleasantly surprised by the sharp rise in level at such a young band that delves with surgical precision in the solos and melodies to produce some of the most memorable moments when the instrumentation put in the foreground to the point of overlooking the vocal theme in some of the issues. Its variety of styles includes the progressive , the folk the death and thrash equally greatly aided by an unlimited imagición when building their compositions full of rhythm changes epiphanic, luminous passages melodic riffs able to cut you into little pieces and wrought rhythms with impeccable technique. But none of this would be so great without the invaluable contribution to the voices of Josh Middleton appointed, stunning vocal qualities marry perfectly with the instrumental on quality getting band bring their personal vision for each style to play the combo. English had to be.

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JAY JAY JOHANSON (2011) Spellbound

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Today I come with another one of my most anticipated albums of the year, and more specifically it even after being able to enjoy a juicy preview of three of the topics included in this Spellbound (as I like the album title) in his last concert last February in Barcelona which made another of those performance rubric anthologies how well the Swedish live is what the side of himself that in each performance reprensenta disk. Neither the disco facet of this multifaceted artist, personified in that distant Antenna, or its constant changes of skin have never been able to depart from it. Since its inception more crooner through their homage to the sound Bristol to dabbling with jazz or bossa-nova everything it touches Jay Jay Jahonson turns to gold and this, his eighth studio album, there would be less.

Living

its peak stylistic stability (the disk is simplistic line of his last works) , physical (may be the time I've seen the 4 healthiest I've seen him live) and mental (it now appears that his personal demons are less present in his lyrics), we face another one of those necessarily intimate and melancholic works of jewelry that Jay Jay and his inseparable companion of fatigue are capable of building.

Fragile distinctly defeatist melodies and a voice that fills every moment with a beautiful intensity is what we are accustomed the thin sickly Swedish and disheveled but this time has been achieved, if anything, a collection of songs even more intimate and fragile than usual coming to thrill anyone who is willing to be carried by so divine compositions. Making use and abuse dont piano to issues of special sensitivity and playing again with the warmth of her voice and cold contrast minimalist musical hand Jay Jay Johanson espectacualr so accentuates the nudity and the simplicity of its beautiful compositions gain a leading role in making their voices sweetly adorned with those beautiful musical details hides the disc resulting in a much more organic and light than usual.

Jay Jay once again demonstrates that his mastery of chiaroscuro lies much of the appeal of their music and that however much you get older your ability to move whole continues to gain by accumulated experience as an artist and mental stability that seems to enjoy the last few years. Another gets screwed 11 to the gentlemen.